When we were in our sophomore year, our teacher in our Advertising classes required us to watch at least two MMFF entries (Metro Manila Film Festival). The movie whore that I am, I saw that as a perfect way to devour a lot of films without having to spend my money (since it’s a need, I asked for money from my mother, hahaha!).
Then, I thought I made good choices: One Night Only (which had a really nice way of presenting it’s plot) and Ang Tanging Ina Nyong Lahat (which, I thought I have to watch before the hype and the series ended). But when my classmates began fussing about Baler, I realized that I failed to watch an important historically related film. Baler went on to win most of the awards like Best Cinematography and Best Musical Scoring.
This year’s MMFF is not much exciting. Most of the lead stars are the ones we can already tag as “suki” ng MMFF, including Kris Aquino for Dalaw, Ai-Ai Delas Alas for Ang Tanging Ina Niyo: Last na ‘To!, Marian Rivera for Super Inday and the Golden Bibe and definitely, Vic Sotto for Si Agimat at Si Enteng. Aside from Kris Aquino, whose infamous squeals and popularity gained her most of the celebrity viewers during the festival’s first screening, it is Vic Sotto who can be considered legendary. His Enteng Kabisote movies never fail to make out of the top three top-grossers, no matter how “infectiously uncharming” his humor is.
Aside from the aforementioned, we have RPG Metanoia (viva Philippine Film Industry for the 3D!), Shake, Rattle and Roll 12 (when will this ever end?), Father Jejemon (which is timely but incurs a lot of doubts from the public) and last but not the least, Rosario.

Jennylyn Mercado plays the role of a woman torn.
If not for a friend’s incessant prodding and several other good reviews, I would have chosen RPG Metanoia. After all, it’s not everyday that the film industry gets to offer fully-animated movies. But since I was in the mood for a historical film, I went along with my friends inside Cinema 5.
When we went in, there were no more than five people inside. We Filipinos are not much patrons of our own movies, aren’t we? On one hand, it would be good to have lesser amount of noise. MY friends and I promised each other that inside the cinema: walang kai-kaibigan. Nobody would ask anybody to go with her to the CR and all that…
Rosario basically tells the life of Manny V. Pangilinan’s grandmother, Rosario (played by Jennylyn Mercado), as narrated by Dolphy, Rosario’s son to one of Rosario’s nephews played by Manny Pangilinan himself. As a rich haciendero’s only daughter, Rosario had everything: a well-provided for education, attention and loving parents. When she arrived here in the country, her eyes—and later, heart—was caught by the hacienda’s administrator, Vicente (Yul Servo). Their “unblessed” love affair was short-lived when Rosario’s father discovered them lying together inside a barn. But the two ended up marrying each other anyway, when they fled to Manila. Rosario was never able to go back to their hacienda again anymore than Vicente vowed never to return there as well. When Vicente was stricken with TB, Rosario accepted her childhood friend Carmen’s offer to work as a secretary in their office. There, Rosario met and had an affair with Carmen’s boyfriend, Alberto (Dennis Trillo), which later reached the court. They were deported to Hong Kong. There, the character of Dolphy, Hesus, was born. When they returned to the country, Alberto left Rosario and never returned. A compassionate young man, Carding (Sid Lucero), took notice of Rosario and reawakened her love for playing the piano. In the end, she did not accept his offer to elope together.
I laud Jennylyn Mercado’s acting even though I was not exactly impressed. I believe she could have done better. If there were actors to praise in this movie, it would be Dolphy (whose tear-jerking narration was very convincing), Sid Lucero (when he ran amok upon learning that his uncle, played by Ricky Davao, took advantage of Rosario), Ricky Davao (whose character is very hate-able as his acting fitted him) and Dennis Trillo (who looked every inch “manyak” and “pabling”).
If MVP pays the movies’ crew as well as he does his own employees, then it would be the perfect explanation for the film’s impressive technical editing. The cinematography, musical scoring and overall editing are impeccable and have backed the historical excellence of the story itself. One knows a good story and editing if it stays on one’s mind long after he or she has viewed the movie.
I really liked how the movie ended. For me, hanging endings make a classic. One more thing is the movie poster. Unlike all the other MMFF entries (except perhaps Dalaw, which had half the poster Kris-dominated) which are trying to squeeze in every character in the movie—faded or not—Rosario had a simple yet emotionally appealing, near tears face of Jennylyn Mercado. To me, it looked like it can be internationally
competitive.

the movie poster (There was also one which really caught my eye, but I was not able to find it in Google)
Rosario should be made available to the public even after the MMFF concluded. It is a poignant movie which gives the viewers a bit of the Filipino culture, ironies included. It is a beguiling tale of love, atonement and self-expression. I was very satisfied when I left the cinema; my P150 was worth it. This is the kind of movie which Filipinos would be proud of. MVP should really start on investing in movies…
credits to Google for the photos